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	<title>Ryan Morey Mastering</title>
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	<link>http://www.ryanmoreymastering.com</link>
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		<item>
		<title>Links</title>
		<link>http://www.ryanmoreymastering.com/links/</link>
		<comments>http://www.ryanmoreymastering.com/links/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 16:16:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=104</guid>
		<description><![CDATA[Neighbours Greymarket Mastering Thee Mighty Hotel2Tango Constellation Records Mastering Resources ISRC Application Form For Canadian Artists ISRC Application Form For U.S. Artists Loudness Means Nothing on the Radio! Square Cad: Excellent Podcast On All Things Mastering Vinyl Resources Vinyl Pressing in Canada Colleagues, Friends and Admired Ones Lhasa de Sela Esmerine The Barr Brothers Freddy [...]]]></description>
			<content:encoded><![CDATA[<p><b>Neighbours</b><br />
<a href="http://greymarketmastering.com" target="_blank">Greymarket Mastering</a><br />
<a href="http://hotel2tango.com" target="_blank">Thee Mighty Hotel2Tango</a><br />
<a href="http://cstrecords.com"target="_blank">Constellation Records</a></p>
<p><b>Mastering Resources</b><br />
<a href="http://www.avla.ca/isrc/isrc-application-form.aspx"target="_blank">ISRC Application Form For Canadian Artists</a><br />
<a href="https://www.usisrc.org/applications/question/1"target="_blank">ISRC Application Form For U.S. Artists</a><br />
<a href="http://productionadvice.co.uk/loudness-means-nothing-on-the-radio/"target="_blank">Loudness Means Nothing on the Radio!</a><br />
<a href="http://squarecad.net/index.html"target="_blank">Square Cad: Excellent Podcast On All Things Mastering</a></p>
<p><b>Vinyl Resources</b><br />
<a href="http://www.duplication.ca/vinyl.htm"target="_blank">Vinyl Pressing in Canada</a></p>
<p><b> Colleagues, Friends and Admired Ones</b><br />
<a href="http://lhasadesela.com" target="_blank">Lhasa de Sela</a><br />
<a href="http://esmerine.com" target="_blank">Esmerine</a><br />
<a href="http://thebarrbrothers.com" target="_blank">The Barr Brothers</a><br />
<a href="http://freddykoella.com" target="_blank">Freddy Koella</a><br />
<a href="http://milesperkin.com" target="_blank">Miles Perkin</a><br />
<a href="http://joegrass.com/" target="_blank">Joe Grass</a><br />
<a href="http://plantsandanimals.ca//" target="_blank">Plants and Animals</a><br />
<a href="http://strindbergandhelium.com///" target="_blank">Strindberg and Helium</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.ryanmoreymastering.com/links/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Book ahead</title>
		<link>http://www.ryanmoreymastering.com/book-ahead/</link>
		<comments>http://www.ryanmoreymastering.com/book-ahead/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:34:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=102</guid>
		<description><![CDATA[• During peak periods throughout the year demand is high and waiting times can be as long as a month. We recommend that you book in advance, taking into consideration the delivery date for pressing, factoring in a few days latitude to listen to the final master before it goes off to the plant.]]></description>
			<content:encoded><![CDATA[<p>• During peak periods throughout the year demand is high and waiting times can be as long as a month.<br />
We recommend that you book in advance, taking into consideration the delivery date for pressing,<br />
factoring in a few days latitude to listen to the final master before it goes off to the plant.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.ryanmoreymastering.com/book-ahead/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>References</title>
		<link>http://www.ryanmoreymastering.com/references/</link>
		<comments>http://www.ryanmoreymastering.com/references/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:33:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=100</guid>
		<description><![CDATA[A helpful way to communicate your desires to the mastering engineer is to bring along records which you feel are good examples of the vibe, aesthetic and level you wish to achieve. They will also serve as a reference point for you in an unfamiliar listening environment.]]></description>
			<content:encoded><![CDATA[<p>A helpful way to communicate your desires to the mastering engineer<br />
is to bring along records which you feel are good examples of the vibe,<br />
aesthetic and level you wish to achieve.<br />
They will also serve as a reference point for you in an unfamiliar listening environment. </p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stem Mastering</title>
		<link>http://www.ryanmoreymastering.com/stem-mastering/</link>
		<comments>http://www.ryanmoreymastering.com/stem-mastering/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:32:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=98</guid>
		<description><![CDATA[• Where necessary it is possible to master from a stems version of the mix down. This allows for dynamic, level and eq adjustment beyond the scope of a stereo mastering session (and of course is a longer, more time consuming approach)]]></description>
			<content:encoded><![CDATA[<p>• Where necessary it is possible to master from a stems version of the<br />
   mix down. This allows for dynamic, level and eq adjustment beyond<br />
   the scope of a stereo mastering session<br />
(and of course is a longer, more time consuming approach) </p>
]]></content:encoded>
			<wfw:commentRss>http://www.ryanmoreymastering.com/stem-mastering/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Alternate mixes</title>
		<link>http://www.ryanmoreymastering.com/alternate-mixes/</link>
		<comments>http://www.ryanmoreymastering.com/alternate-mixes/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:32:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=96</guid>
		<description><![CDATA[• If you are uncertain as to the level of the vocal in your mix, bring alter nate versions; Ex, vocal 1 dB up, vocal 1.5 dB down, etc.]]></description>
			<content:encoded><![CDATA[<p>• If you are uncertain as to the level of the vocal in your mix, bring alter<br />
   nate versions; Ex, vocal 1 dB up, vocal 1.5 dB down, etc. </p>
]]></content:encoded>
			<wfw:commentRss>http://www.ryanmoreymastering.com/alternate-mixes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Editing, Sequencing And Fades</title>
		<link>http://www.ryanmoreymastering.com/editing-sequencing-and-fades/</link>
		<comments>http://www.ryanmoreymastering.com/editing-sequencing-and-fades/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:30:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=94</guid>
		<description><![CDATA[Album &#8216;pacing&#8221; • sequencing, song transitions and fades are a standard part of the mastering process. However, if pacing and fades have already been decided, or in the context of a live recording or dj mix session, the sequenced album can be brought as a continuous data file (if you are not completely certain about [...]]]></description>
			<content:encoded><![CDATA[<p>Album &#8216;pacing&#8221;<br />
• sequencing, song transitions and fades are a standard part of the<br />
   mastering process. However, if pacing and fades have already been<br />
   decided, or in the context of a live recording or dj mix session, the<br />
   sequenced album can be brought as a continuous data file<br />
(if you are not completely certain about your fades bring the<br />
   unrendered audio files also)</p>
]]></content:encoded>
			<wfw:commentRss>http://www.ryanmoreymastering.com/editing-sequencing-and-fades/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sample Rates, Wordlength And File Formats</title>
		<link>http://www.ryanmoreymastering.com/sample-rates-dither-and-file-formats/</link>
		<comments>http://www.ryanmoreymastering.com/sample-rates-dither-and-file-formats/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:30:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=92</guid>
		<description><![CDATA[• For software mixdown (.aiff, .wav, .sdll ) use 24 bit files where possible • Avoid sample rate conversion and wordlength reduction (and dither!), mixdown at same sample rate as mix session]]></description>
			<content:encoded><![CDATA[<p>• For software mixdown (.aiff, .wav, .sdll )<br />
   use 24 bit files where possible<br />
• Avoid sample rate conversion and wordlength reduction (and dither!),<br />
  mixdown at same sample rate as mix session</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mix Eq</title>
		<link>http://www.ryanmoreymastering.com/mix-bus-eq/</link>
		<comments>http://www.ryanmoreymastering.com/mix-bus-eq/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:29:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=90</guid>
		<description><![CDATA[• Use eq judiciously on your final mix, remaining aware of the limitations of your monitoring. • Avoid excessive high mid and high frequency boosts, particularly in the case of digital eq (as a general rule, it is more efficient and more musical to open the top end of a mix appropriately at mastering, rather [...]]]></description>
			<content:encoded><![CDATA[<p>• Use eq judiciously on your final mix, remaining aware of the<br />
   limitations of your monitoring.<br />
• Avoid excessive high mid and high frequency boosts, particularly<br />
   in the case of digital eq (as a general rule, it is more efficient and<br />
   more musical to open the top end of a mix appropriately at mastering,<br />
   rather than attempt to control excessive harshness and sibilance<br />
   while maintaining clarity)<br />
*vocal sibilance is best control at the source</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mix Bus Compression</title>
		<link>http://www.ryanmoreymastering.com/mix-bus-compression/</link>
		<comments>http://www.ryanmoreymastering.com/mix-bus-compression/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 06:15:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mastering Session]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=86</guid>
		<description><![CDATA[• If you mix into a bus compressor do so to achieve balance and glue, and not for level • Allow the mastering engineer the latitude to appropriately compress your mixes ( or not! ), using the best sounding gear available. Eq can be modified, but over or inappropriate compression cannot be undone.]]></description>
			<content:encoded><![CDATA[<p>• If you mix into a bus compressor do so to achieve balance and<br />
   glue, and not for level<br />
• Allow the mastering engineer the latitude to appropriately compress<br />
  your mixes ( or not! ), using the best sounding gear available. Eq can<br />
  be modified, but over or inappropriate compression cannot be undone. </p>
]]></content:encoded>
			<wfw:commentRss>http://www.ryanmoreymastering.com/mix-bus-compression/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Clients</title>
		<link>http://www.ryanmoreymastering.com/discography/</link>
		<comments>http://www.ryanmoreymastering.com/discography/#comments</comments>
		<pubDate>Sat, 03 Dec 2011 09:17:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Clients]]></category>

		<guid isPermaLink="false">http://www.ryanmoreymastering.com/?p=67</guid>
		<description><![CDATA[01 ÉTRANJJ 2 INCREDIBLES 7ième ciel 13 Deep Recordz A ACCROPHONE ADAM CHAKI ADRIAN GLYNN A DEVIL’S DIN AKUMA ALEK ET LES MAUVAISES RAISONS ALEXANDRA BARASSO ALEXANDRE BELLIARD ALEZAN ALFA ROCCO Alien8 AMANITA BLOOM AMÉLIE VEILLE Amnesty Int&#8217;l AMON TOBIN Annacrouse ANNIE BECKER ANNIE DUFRESNE ANIQUE GRANGER ANTIZARIO ANTOINE CORRIVEAU ANTONIO Anubis*** APPLE BLUE Aquarius [...]]]></description>
			<content:encoded><![CDATA[<p>01 ÉTRANJJ<br />
2 INCREDIBLES<br />
7ième ciel<br />
13 Deep Recordz</p>
<p>A<br />
ACCROPHONE<br />
ADAM CHAKI<br />
ADRIAN GLYNN<br />
A DEVIL’S DIN<br />
AKUMA<br />
ALEK ET LES MAUVAISES RAISONS<br />
ALEXANDRA BARASSO<br />
ALEXANDRE BELLIARD<br />
ALEZAN<br />
ALFA ROCCO<br />
Alien8<br />
AMANITA BLOOM<br />
AMÉLIE VEILLE<br />
Amnesty Int&#8217;l<br />
AMON TOBIN<br />
Annacrouse<br />
ANNIE BECKER<br />
ANNIE DUFRESNE<br />
ANIQUE GRANGER<br />
ANTIZARIO<br />
ANTOINE CORRIVEAU<br />
ANTONIO<br />
Anubis***<br />
APPLE BLUE<br />
Aquarius Records<br />
ARCADE FIRE<br />
ARCHIPELAGO<br />
ARCUS CLOUD<br />
ARIAN MOFFAT<br />
ARMISTICE<br />
ARSENIQ33<br />
ARTHUR H<br />
Art of the Underground<br />
Arts &#038; Crafts<br />
ASTRID ENGBERG<br />
ASSASINE’S CREED Game Sndtrck<br />
ATACH TATUQ<br />
ATCHOUM<br />
Atlantic Records<br />
Atracto<br />
ATTACK OF THE MICROPHONE<br />
Audiogram<br />
AUFderMAUR<br />
AURESIA<br />
AUT&#8217;CHOSE<br />
Avalanche<br />
AZURIS AURUM </p>
<p>B<br />
BAD FLIRT<br />
BALI X<br />
BALMORAL***<br />
BANANAZ<br />
BANG ON THE EAR<br />
BARR BROTHERS<br />
BASIA BULAT<br />
B D WILLOUGHBY<br />
BEAST<br />
BEDOUIN SOUNDCLASH<br />
BELLEISLE<br />
BERNADETTE<br />
BERRY WEIGHT<br />
BET.E<br />
BÏA<br />
Big Dada<br />
Big Fat Truck<br />
BILAL BUTT<br />
BIG IN CHINA<br />
BLACK DIAMOND BAY<br />
BLEEDING ORANGE<br />
BLOCKHEAD<br />
Bongo Beat<br />
BONJOUR BRUMAIRE<br />
BonSound<br />
Boompa<br />
Borealis<br />
BORN DEAD ICONS<br />
BRENDAN WALSH<br />
BRETT DOLTER<br />
BRIGITTE, C’EST LA RÉVOLUTION<br />
BROAD DAYLIGHT***<br />
BROKEN HEARTED<br />
BRUNO CAPINAN<br />
BUJO<br />
BULLMOOSE<br />
BUTTA BABEES<br />
BY THE FIENDS</p>
<p>C<br />
C4<br />
CAILA<br />
CANAILLES<br />
CARDINAL<br />
CAROCOL<br />
CAROLINE DESBIENS<br />
CATHERINE MAJOR<br />
CERAMONY<br />
CHIC GAMINE<br />
CHOCOLAT<br />
CHARLIE FOXTROT<br />
CIARAN WYNNE<br />
C.IM.E.<br />
CISM<br />
CLAYTON MACDONALD<br />
COLIN MOORE<br />
COLOMBIER<br />
Constellation Records<br />
COUPLES<br />
CREATURE***<br />
D<br />
DACTILO FIDELITY<br />
DAY FLAVOR<br />
DANGER PUBLIC<br />
DANIEL ISAIAH<br />
Dare To Care<br />
DANY PLACARD<br />
DAVID GIGUERE<br />
DAVID JALBERT<br />
DAVID KUNSTATER<br />
DAVE MARTEL<br />
DAVID McCLEOD<br />
DBI YOUNG<br />
DEAN BOND<br />
DEANO CLAVET<br />
DEALDLY BLVD<br />
D.E.P.<br />
DERFMAN<br />
DEVIL’S DIN<br />
DEWAERE<br />
Dine Alone Records<br />
DIRTY ART CLUB<br />
Disques Artic<br />
Disques Tox<br />
Disques Triade<br />
Disques Jupiter<br />
Disques Sphère<br />
DISSENSION***<br />
DJ CHAMPION<br />
DJ FOOD<br />
DJELEM<br />
DJELEM PROJECT<br />
DKD Records<br />
DOBA<br />
DOMINIQUE BOUFFARD<br />
DOMINIQUE CLÉMENT<br />
DON ALIAS<br />
DR CRÉDIBLE BERLINGOT<br />
DUBMATIQUE<br />
DUKES OF BURGUNDY<br />
DUKES OF THE ARCHIPALEGO<br />
DUCHESS SAYS<br />
DUTCH OVEN</p>
<p>E<br />
Earfood Records<br />
ELECTROLISE<br />
EMELIE CLEPPER<br />
EMMANUEL TRAVIS<br />
ENSEMBLE<br />
ENSEMBLE feat. Lou Barlow &#038; Cat Power<br />
ERIC PANIC<br />
ERIC POULIN<br />
ERIC SPEED<br />
ERIN PASSMORE<br />
ESMERINE***<br />
EUGENE LE CHEVAL<br />
EUPHRATES<br />
EVA BREZ<br />
EVERYTHING CHANGES<br />
EXODE<br />
EXTERIO<br />
EYE2EYE</p>
<p>F<br />
Fat Cat UK<br />
Fight Mentality Records<br />
FINAL FLASH<br />
FLASHLIGHT BROWN<br />
FLICKER STATE<br />
FLORENCE K<br />
FOLLY AND THE HUNTER<br />
FLYING FIGURES<br />
FORESIGHT<br />
FORTUNE COOKIE CLUB<br />
FOR THOSE ABOUT TO LOVE<br />
FRANÇOIS DUCHÊNE<br />
FRÉDERICK BARON<br />
FREE LOVE FENNER<br />
FUNKI PORCINI</p>
<p>G<br />
GALAXIE<br />
GAS DRUMMERS<br />
GHEETA SPARKLE***<br />
GEOFF BERNER<br />
GENEVIÈVE TRÉPANIER<br />
GIRI KETADON<br />
GIRL<br />
GHISLAIN POIRIER<br />
GODWIN<br />
GOLDEN GIANTS<br />
GRAHAM PLAYFORD<br />
GREAT AUNT IDA<br />
GRIM SKUNK<br />
Grosse Boîte<br />
GUILLAUME SIROIS<br />
GunDei<br />
Gus Van Go</p>
<p>H<br />
H2OIL Sndtrck<br />
HALF MOON RUN<br />
HEIRLOOM<br />
HEY SUGAR<br />
Hidden Pony Records<br />
HOLY DIVIDE<br />
HOMBRE<br />
HONHEEHONHEE<br />
Hyperbole Music<br />
Hypnote Records</p>
<p>I<br />
I &#038; I Sound Productions***<br />
ICM Records<br />
IAN CORDEN<br />
IDEAL LOVERS<br />
Imperial Arts &#038; Letters<br />
Indica Records<br />
INO<br />
Inty<br />
INUINNAIT QILAUDJARTUT<br />
ISAAC MIRACLES<br />
ISLAND CITY MONSTERS feat. RAEKWAN<br />
IVY</p>
<p>J<br />
JAH CUTTA<br />
JANE EHRHARDT<br />
JAMES WATSON<br />
JEAN LELOUP<br />
JEAN PHILIPPE<br />
JEANETTE STEWARD<br />
JEN MIREAU<br />
JÉRÔME MINIÈRE<br />
JEROME PHILIPPE<br />
JESS HART<br />
JF ROBITAILLE<br />
JILL ZMUD<br />
JIM BRYSON<br />
JIM BRYSON &#038; THE WEAKERTHANS<br />
JIM ROULEAU<br />
JOBIM***<br />
JOE GRASS<br />
JON BERGERON<br />
JON SAMUEL<br />
Jupiter<br />
Justin Time<br />
JOSH</p>
<p>K<br />
KAMIKAZI<br />
KARIME OUELLETTE<br />
KARKWA<br />
KARL  de SERRE<br />
KARL WOLF<br />
KARLOF<br />
KARLOF ORCHESTRA<br />
KATIE MOORE<br />
Kelp Records<br />
KG<br />
KILL CHICAGO<br />
KILL THE LIGHTS<br />
KILLA JEWEL<br />
Kindling Music<br />
KIT SODEN<br />
KING ABDI<br />
KISSES FROM THE US<br />
KIT SODEN<br />
K&#8217;MARO<br />
KOBAYASHI<br />
KOCO KARMA<br />
KODIAK***<br />
KOMODO<br />
KORIASSE<br />
K.Pone inc<br />
KRIEF<br />
KRISTIN BUSSANDRI<br />
KULCHA CONNECTION</p>
<p>L<br />
LA BRASSÉE<br />
LA CHAMBRE<br />
LA DÉBANDADE<br />
LA DESCENTE DU COUDE<br />
LA LOI DES CACTUS<br />
LA QUERELLE<br />
LA RACINE ROSE<br />
LA RUDA<br />
LA RÉVOLT<br />
La Tribu<br />
LA-Be Records<br />
LACRIMAE MORTALIUM<br />
LAKES OF CANADA<br />
LANAN ADCOCK<br />
LANDON A R COLEMAN<br />
LAUNIE ANDERSSOHN<br />
LAURENT PAQUIN<br />
LAZY WORKFORCE<br />
L’ETRANGER<br />
L’EMBUSCADE<br />
Le Roi Ponpon***<br />
LE ZOO<br />
LES 2 TOM<br />
LES 5 ÉNORMES<br />
LES ADBIGRADATIONNISTES<br />
Les Associés du Réel<br />
LES BIG MAMAS<br />
LES DALE HOWERCHUCK<br />
LES INCENDIARES<br />
LES SHIRLEY<br />
LES RESPECTABLES<br />
LES RIPPÉS<br />
LES TROIS ACCORDS<br />
LEBOWSKI<br />
LEFT SIDE NEIGHBOUR<br />
LEIF ANDERSON<br />
LEIF VOLLEBEKK<br />
lele[SPEAKS]<br />
LEMONADE<br />
LÉOPOLD Z<br />
LESLEY LANE<br />
LG BRETON<br />
LHASA<br />
LIBRARIE VOICES<br />
Lil&#8217; ANDY<br />
LIQUID<br />
LI&#8217;L ANDY &#038; THE KARAOKE COWBO<br />
L&#8217;ORCHESTRE SYMPHONIQUE DE PÉKIN<br />
L’OURS<br />
LOCO LOCAS***<br />
LONG SHEN DAO<br />
LORA<br />
LOUDLOVE<br />
LOVERS ARE PEOPLE<br />
LUCAS MARSTON<br />
LUIGI BOEZIO</p>
<p> M<br />
MC LA SAUCE<br />
MA TIAO<br />
MAGGIE BLANCHARD<br />
MAHARAJAH<br />
MAK<br />
MARK BERUBE<br />
MARC  GÉLINAS<br />
MARJO<br />
MARIE JO THERIO<br />
MARIE D’INVERNESS<br />
MALAJUBE<br />
MALCOLM BAULD<br />
MALICIOUS<br />
MAP<br />
Maple Music<br />
MARIE-ÈVE JANVIER ET JEAN-FRANCOIS BREAU<br />
MARIE-PIERRE ARTHUR<br />
MASALA<br />
MARA TREMBLAY<br />
MATHIAS MENTAL<br />
MATHIEU LACROIX***<br />
MATHIEU LIPPÉ<br />
MATT HAIMOVITZ<br />
MATT HAIMOVITZ AND CHRISTOPHER O’RILEY<br />
MATT SHAPIRO<br />
MATTIC<br />
MAX ABILIO<br />
MAUVE<br />
MEGASOID<br />
MÉLAINE BOULAY<br />
Merge Records<br />
MERRY MAKERS<br />
MESHIKAMAU<br />
METATUK<br />
MICHEL CUSSON<br />
MICHEL MASSÉ &#038; SON ORCHESTRE<br />
MIDNIGHT ROMEO<br />
MIGRATING BIRDS<br />
MIKE O&#8217;BRIEN<br />
MILANKU<br />
MIKE PRÉVOST<br />
Mile End Records<br />
MILES PERKIN<br />
MINOTAURS<br />
Mint Records<br />
MIRANIE MORISSETTE<br />
MIRE<br />
MIRRORED ALLEYS<br />
MISTER VALAIRE<br />
MON ELECTRIC BIJOU***<br />
MONSTER BOBBY<br />
Monster Ink<br />
MOODINI<br />
MOONLIGHT GIRLS<br />
MONGROLS<br />
MORPHTET<br />
MOSES CHILD<br />
MOUFETTE<br />
MR OK<br />
MURDER FORD MONUMENT<br />
MUSIC FOR MONEY<br />
Musicorps<br />
MUTED SCREAM<br />
MYLES FROM HOME</p>
<p>N<br />
NAILA<br />
N.A.H.P.I., (Feat. BECK)<br />
NAN WU<br />
NAM:LIVE!<br />
NANOBOT AUXILLARY BALLET<br />
NANS AND NAT<br />
NATIONAL PARCS<br />
NAVET CONFIT<br />
New Cap<br />
NEW EMPIRE<br />
NEW FIST<br />
NEVER DRAFTED<br />
Ninja tune***<br />
NIR BLUE<br />
NISTA<br />
NITROSONIQUE<br />
NODASKA<br />
NOMADIC MASSIVE<br />
NOT TODAY<br />
NUITS D&#8217;AFRIQUE </p>
<p>O<br />
O LINEA<br />
OEN SUJET<br />
Odoublef<br />
OFFSIDES<br />
OK VOLCA<br />
OLIVIER<br />
OLIVIER ADOUE<br />
OLIVIER GOURDE<br />
OLSEN AND DRURY<br />
OMEGADOM<br />
ON BODIES<br />
ON A CRÉE UN MONSTRE<br />
ONOMATOPS<br />
Opak Media<br />
Orange Music<br />
ORANGE ORANGE<br />
ORILLIA OPRY<br />
ORIGIN<br />
OUR RISING BONDS<br />
Oxingale***</p>
<p>P<br />
PANDORAIL<br />
PAPA GROOVE<br />
PARLOVR<br />
PASCAL DUFOUR<br />
PASSWORDS<br />
PAUL CARGNELLO<br />
PAUL DANGER<br />
PAUL EDWARDS<br />
PATRICK PLEAU<br />
PATRICK WATSON AND THE WOODEN ARMS<br />
PETER OKIE WIESS<br />
PETER PETER<br />
PETER WHEELER<br />
Pheremone Records<br />
PHIL PAT<br />
PHILE<br />
PHILÉMON<br />
PHILIPPE B<br />
PHILOSONIC<br />
Phonoscope<br />
Phonosaurus records<br />
PIERRE FORTIN<br />
PIERRE LAPOINTE<br />
PIERRE LESCAUT<br />
PIERRICK JASMIN<br />
PL MAFIA<br />
PLAIN***<br />
PLANET SMASHERS<br />
PLAJIA<br />
PLANTS &#038; ANIMALS<br />
PLASTIC PATRICK<br />
PLIGHT<br />
PLOZ<br />
PLUNT<br />
Plein Sud<br />
POLERMO<br />
Polydor /Universal<br />
POIRIER<br />
Pop Montreal<br />
PORCELAINE<br />
PRATLEY<br />
PRIESTESS<br />
PRINCE OF PERSIA  Game Sndtrck<br />
Productions RicoRich<br />
Proxenette<br />
PSYCHOCARAVANE</p>
<p>Q<br />
QUATUOR MATIS<br />
QUIMORACRU<br />
QUIET AREAS</p>
<p>R<br />
RACHEL JEANTY<br />
RANDOM RECIPE<br />
RED OCTOBER***<br />
RESET<br />
Roast Records<br />
ROBBIE SINCLAIR<br />
ROADS<br />
ROAD BONES<br />
ROBERTSON<br />
RODÉOSCOPIQUE<br />
ROGUE RIVER<br />
ROME ROMEO<br />
ROTHSCHILDS<br />
Rough Trade, UK<br />
Rough Trade, U.S.<br />
RUDY CAYA</p>
<p>S<br />
Saboteur<br />
SAINT ANGE<br />
SALOMÉ LECLERC<br />
SAM ROBERTS<br />
Sambal Records<br />
SAMIAN<br />
SAMINA<br />
SANS PRESSION<br />
SARAH BOURDON<br />
SARA JOHNSTON<br />
SCOTT NORMANDY<br />
SEASONAL AD<br />
Secretly Canadian<br />
Secret City***<br />
SET FIRE TO FLAMES,Select<br />
SEISMIC CRY<br />
SENZAFINE<br />
SERGEI TROFANOV<br />
SHAKTI<br />
SHELLEY O’BRIEN<br />
SHINE ON<br />
Ships at Night Records<br />
SIDEWAYS<br />
SIMPLE PLAN<br />
SINSLIVER<br />
SIXTOO<br />
SIXTOO &#038; MATH<br />
SKYHOOK<br />
Slam disques<br />
SMOKES<br />
SOCALLED<br />
SOLAR YEAR<br />
SONIA FUNK<br />
SOPHIE YOUNG<br />
SOUL &#038; SPIRIT<br />
SPAÏCY<br />
SPANKROCK<br />
Spectra musique<br />
SPEED MASSACRE<br />
Sphere musique<br />
SPRING THE MADCAP<br />
SQUAREPUSHER/ LUC VIBERT<br />
STANDING WALTZ***<br />
STARS<br />
Star Records<br />
STEFAN CHRISTOFF<br />
STEFIE SHOCK<br />
STEVE HILL<br />
STEVE MARIN<br />
Stomp Records/Union<br />
STRAYOTIC<br />
STEFAN CHRISTOFF<br />
STÉRÉOTAXIE<br />
STILL ALIVE<br />
SU YANG<br />
SUBB<br />
SUBSISTANCE<br />
SUBURBS<br />
Suburban Home<br />
SUGAR SHACK<br />
SUNN&#8217;S<br />
Supra Classic<br />
SURPRISE ME MR DAVIS<br />
SYLVANUS<br />
SYLVIE LALIBERTÉ</p>
<p>T<br />
Tacca<br />
TA-DA<br />
TALA<br />
TANTRUMN<br />
TANYA DAVIS***<br />
TEAM CANADA<br />
TED STRAUSS<br />
THE ANTI-JOB<br />
THE ATOM<br />
THE BARR BROTHERS<br />
THE BELLE GAME<br />
THE BROADYS<br />
THE BLUE SEEDS<br />
THE BLISTERS<br />
THE CALM<br />
THE COMEDY<br />
THE DAMN TRUTH<br />
THE DETAILS<br />
THE END<br />
THE FIELD REGISTER<br />
THE FOLLY AND THE HUNTER<br />
THE FRENETICS<br />
THE GENTLEMEN&#8217;S CLUB<br />
THE GOSPEL<br />
THE HOME TEAM<br />
THE HOOF AND THE HEEL<br />
THE HUNTERS<br />
THE JACK<br />
THE JIMMY RIGGERS<br />
THE JON COHEN EXPERIMENTAL<br />
THE MANHATTAN PLAN<br />
THE ROBERTO LOPEZ PROJECT<br />
THE REAL DEAL<br />
THE REAL MACKENZIES***<br />
THE SAINT ALVIA  CARTEL<br />
THE SAINTE-CATHERINES<br />
THE SALTEENS<br />
THE SPECIFICS<br />
THE STILLS<br />
THE TRAVELLING HEADCASE<br />
THE TOASTERS<br />
THE WANDAS<br />
THE WORLD PROVIDER<br />
THE YEAR DOLLY PARTON WAS MY MOM Sndtrk<br />
THUNDERHEIST<br />
TIMBER<br />
TIM SMITH AND THE 444’S<br />
TIRE LE COYOTE<br />
TOM HOOVER<br />
TORNGAT<br />
TRICOT MACHINE<br />
TRISTAN MALAVOY<br />
TRUTH OR SCARE</p>
<p>U<br />
Ubisoft<br />
UNCLE DAISY<br />
Universal Records, Canada<br />
Universal Records, Fr.<br />
Universal, India<br />
Universal Records, U.S.<br />
UNO<br />
***<br />
V<br />
Vice Records<br />
VIKTROLA<br />
VINYL HERO<br />
VIVIANE AUDET<br />
VOLTFACE<br />
Voxtone Records<br />
VULGAIRE MACHINS</p>
<p>W<br />
WARCRY<br />
Warner, Canada<br />
Warner, France<br />
Warner, U.K.<br />
Warner, U.S.<br />
WAVES IN MOTION<br />
WHO ARE YOU<br />
WILD SWEET ORANGE<br />
WINTERSLEEP<br />
WOODPIGEON<br />
WOPPOPWOW</p>
<p>X<br />
XLA<br />
Xploit Records</p>
<p>Y<br />
YAN ZOMBIE<br />
YANN PERREAU<br />
YESTERDAY’S MEN***<br />
YESTERDAY&#8217;S RING<br />
YONDER HILL<br />
YOU, ME AND THE ENEMY<br />
YOUNG GALAXY<br />
YVON KREVÉ</p>
<p>Z<br />
ZACHARY RICHARDS<br />
ZeBRICK<br />
Zone3<br />
ZooBone Records</p>
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